Thursday, February 28, 2013

Likes and Dislikes


Things I Don’t Like


  • When a representative of a college suggests students stuff ballots by using every distinct computer they have access to, to vote in a contest whose rules clearly specify “one vote per day,” in order to win funds for the school. I’m not sure how the honor code works, but I feel sure it wasn’t intended to work this way.

  • When an advocacy group sends an email bragging that a deal is a customer’s dream but a carrier’s nightmare. Really? Are we in third grade here? Does everything need to be adversarial and negative?

  • When the USPS screws with my mail and causes me mega grief. Nuff said.


Things I Do Like

  • Drivers who willingly yield so folks leaving the hollow can make the left turn onto the highway.

  • Drivers who acknowledge with a wave of the hand when you yield so they can make the left turn out of the hollow and pull onto the highway.

  • Pedestrians who wave “thank you” when you yield and permit them to cross (like you’re supposed to anyway).

  • Students at my college who open doors for me, offer to help me lug stuff up the stairs, and generally look out for me in kind and respectful ways.

  • Friendly fast food workers. Those peeps are on their feet and work under unpleasant conditions, and so many of them still let their humanity show.

I guess that boils down to not liking dishonesty, rudeness, and incompetence, and liking courtesy, kindness, and respect. 

Sorry this is not earth-shattering news. ~~GH


Wednesday, February 27, 2013

A Gift from Rumi and Me



You have no idea how hard I've looked
for a gift to bring You.
Nothing seemed right.
What's the point of bringing gold to
the gold mine, or water to the ocean.
Everything I came up with was like
taking spices to the Orient.
It's no good giving my heart and my
soul because you already have these.
So I've brought you a mirror.
Look at yourself and remember me.
     ~~Rumi

It's funny because I have been accused of being cold-hearted, unromantic, insensitive. I think my innate nature is warm, sentimental, romantic, and quite sensitive generously sprinkled with an analytical flavor. I just didn't exist in an environment that nurtured or promoted those qualities. 

Looking back over what resonates with me, I see a pattern of gentleness and love. I like it. 

It feels good to feel safe. And isn't this a most beautiful poem? ~~GH


Tuesday, February 26, 2013

Guest Poet: Alfred Tennyson


“If I had a flower for every time I thought of you...
I could walk through my garden forever.” 
~~Alfred Tennyson

Sunday, February 24, 2013

Saturday, February 23, 2013

Guest Poet: Masahide



Barn's burnt down --
Now
I can see the moon.
       ~~Masahide (1657-1723)
         (English translation by Lucien Stryk and Takashi Ikemoto)



Friday, February 22, 2013

25th Hour of the Day

My friend Bailey Hunter shared this song with me. She said my face appeared to her as she listened to Ian Tamblyn sing it, and she posted a link on my Facebook page. I find it beautiful, and meaningful. 

Thank you, dear woman. And thank you for listening to the Universe's message, and sharing it with me. ~~GH



Ian Tamblyn - 25th Hour of the Day lyrics

In the 25th hour of the day I made my peace
And in that time allowed I unveiled a masterpiece
All the lessons they were learned
All the lost had been returned
All debts were repaid
In that glorious hour of the day.

In the 25th hour of the day I closed my book
And for the first time in many years I had a chance to look around me
No one calling on the phone - oh my god how the boys have grown...
But it was not too late, in that glorious hour of the day.

And in the 25th hour of the day all was done
No stone was left unturned, no song unsung
Not one lingering 'might have been',
Or 'If I could do it over again'
For in that hour 'over again' was easily arranged.

And in the 25th hour of the day all was revealed
And though you may not believe, all wounds were healed
And in that hour the lost were found
So we walked to higher ground
And there watched the sun refuse to go down
In that glorious hour of the day.

In the 25th hour of the day I made my peace.

Thursday, February 21, 2013

The Free Soul


The free soul is rare, but you know it when you see it -- basically because you feel good, very good, when you are near or with them. 
~~ Charles Bukowski, "Tales of Ordinary Madness"

Wednesday, February 20, 2013

What is Love?


“What Is Love? I have met in the streets a very poor young man who was in love. His hat was old, his coat worn, the water passed through his shoes and the stars through his soul.” 
~~ Victor Hugo

Tuesday, February 19, 2013

Becoming the Moon Goddess


My short story “Moon Goddess” is a highly autobiographical tale of a young woman and man coming of age. As she makes the transition into womanhood, she recognizes her goddess self and embraces it. Her male friend witnesses her transition, senses the separation occurring, feels pangs at losing her, and walks away sulking, upset that he cannot have what or who she is.

I knew it was a powerful story when I wrote it, and I sort of understood it but there was a lot about it that I was unable to articulate. The prologue came to me, and the story grew from that. The prologue reads:
It always comes down to a choice: she can be herself, or she can be loved by amortal man. Tonight, she stands at the devil's crossroads once again.

It never occurred to me that I could have both, that there was a way to both remain true to myself and maintain a rewarding relationship with a man. My entire life has been a struggle with that dichotomy; either/or, you can’t have both. So I’ve vacillated between the two poles. I’d work on being myself for a bit until I felt rich and full and solid. Then I’d work on developing a relationship. 

As the relationship progressed, I’d slowly lose pieces of what made me, me. Bit by bit. I’d notice their absence, and rationalize that I could live without THAT piece, I’d be fine without THIS piece, until eventually so much of me was gone that I no longer resembled myself.

I remained in a miserable relationship for many years, for many reasons. One was fallacious thinking: You’ve invested “this much” time and effort and energy into it, you have to keep trying in order to redeem it. Don’t throw in the towel, honor your investment, there must be something worthwhile there because you’ve stayed “this” long.

Ego. I didn’t want to be wrong. I couldn’t admit I’d made a mistake – or maybe not even made a mistake, but that things had changed and it was time to move on. The relationship was no longer a good fit, and that was okay that it no longer fit. Not a value judgment – it just was what it was. Not right or wrong.

I saw ending the relationship as giving up, quitting, being weak, sinful in some way. Failing. So I worked at reanimating a corpse. Spoiler alert: It doesn't work.

That said, today I had the epiphany that I can indeed both be myself and be loved by a mortal man. I don’t have to choose. My mind is blown. I feel an intense joy and freedom. The path before me just widened exponentially. Thank you, Universe.

If you're curious, below is an older version of my story, "Moon Goddess." Enjoy. *Note: Disturbing content. Coming of age tales sometimes contain unspeakable cruelty.* ~~GH

Moon Goddess

It always comes down to a choice: she can be herself, or she can be loved by amortal man. Tonight, she stands at the devil's crossroads once again.

They stalked the darkened field behind Dean's house armed with badminton
racquets and watched for a signal from the fireflies. Hunkered low in the tall
summer grass, Dean smelled traces of lemon-fresh Joy dishwashing soap lingering
on Ginny's hands, and felt a pang.

"Tonight I'll prove myself to her. I'll get the first bat and she'll love meback." His arms quivered with fatigue and he hunched his shoulders for relief.
Focused on the blue-black air, Dean waited for the first flicker.

* * *
It was their secret ritual, killing bats that dipped low to eat the fireflies.

Their game was forbidden and, therefore, exhilarating. Ginny's mother would
ground her for the rest of the summer if she found out. Dean's father would whip
him with a belt if he knew. Yet every summer evening as the sun set, Ginny and
Dean went to the field and waited for fireflies to signal the competition's
start.

Ginny played tennis – took lessons every morning for two hours -- and she
excelled at it. Dean walked with her to the tennis courts each day and watched
as she attacked the ball. Ginny looked like a beautiful wildcat springing for an
unsuspecting bird. She rarely missed.

The day had been muggy, but the temperature dropped to a tolerable level as soon
as the sun disappeared behind Ginny's house. Fireflies sparkled, ushering in the
magic session when shadows turn to monsters and evil lurks behind every
outbuilding. Bats drifted in dreamlike circles seeking breakfast, for this was
shift change between day and night creatures.

It was Ginny's favorite time of day.

A firefly flickered. Immediately a shadow dove from the eastern sky. Ginny
sprang to her feet and slammed the first bat to the ground with a single,
panther-like strike.

"The night's mine!"

"I wasn't ready."

"Ready or not, the night's mine, fair and square."

They stood over the animal and watched as its broken wings twitched. In seconds,
the movement ceased.

"I'm sick of this, Ginny. It's not fair."

"The night's mine. The score's 7-2 now."

"I'm not playing any more." Dean slammed down his racquet. It landed on the ground
beside the dead bat.

"Then don't play any more." Ginny squatted beside the bat and poked its carcass
with her racquet. Satisfied it was dead, she flipped the animal up into the air
and sent it flying with a solid underhand swing. It soared for several feet,
then halted and plummeted to the ground.

Locusts droned. In the distance, a dog barked. Without a word, a truce was made.
Ginny and Dean lay back in the grass and studied the night sky. 

"There's Corona Borealis, right over Griffith's roof."

Ginny looked where Dean pointed. "Let's pretend I'm Princess Ariadne and you're
Theseus. You just slew the Minotaur and we're sailing away." Ginny spooned her
body against his.

Dean's cheeks felt hot. "You slew the Minotaur. I guess that makes me Princess
Ariadne."

"Well, you can kill the next one, Dean."

"I don't want the next one. The night's already yours, Ginny – or should I say,
Theseus."

Ginny rolled away from Dean. Overhead, bats circled the field. The night was
rightfully hers. She'd made first kill. Slapping at a hungry mosquito, she
remembered that only female mosquitoes bit people.

She took a deep breath. "Then the night's mine, Dean. Because you lost, you have
to tell me the story about Princess Ariadne and Theseus again."

Ginny rolled side to side, smoothing the grass until she was comfortable. Dean
snuck a glance at the gentle mounds beneath her shirt. He loved to watch as they
rose and fell with her breathing. Ginny was changing, somehow growing up faster
than he was. He felt a stirring in his pants and squirmed to reposition so she
wouldn't notice.

Ginny decided to begin the story without Dean. She closed her eyes and imagined
a ship with black sails setting off for Crete.

"…Princess Ariadne liked Theseus, so she gave him a sword and a ball of string.
She told him to tie the string to the door of the Labyrinth and he could follow
it back out and kill the Minotaur…"

Realization settled on Ginny and she stopped speaking. For the first time, Ginny
became aware that Princess Ariadne saved Theseus. Ariadne provided everything
Theseus needed to kill the Minotaur – all he did was use what she'd given him.
She developed the plan, provided the tools, and even opened the door to let him
escape.

Dean's voice carried Ginny back to the dark hillside. "…Princess Ariadne fell
asleep on the Island of Delos, and Theseus put out to sea on his ship with the
black sails, leaving her behind."

Ginny rolled up on one elbow and squinted so she could see Dean's face when he
answered. "Why do you think Theseus left her on the island?"

"I don't know. Maybe he was afraid what his father would say if he brought her
home."

"Why would he care? I mean, she saved his life and all those other people's
lives. Didn't he love her?"

"Sure he loved her." Dean squirmed and gazed up at Corona Borealis. He felt that
somehow, Ginny was sailing away from him. The silhouette of a soaring bat sailed
between him and the constellation. Dean looked around for his racquet. Maybe the
night isn't a total loss.

Ginny sat up. Ideas fell into place and she breathlessly explained them almost
as they formed. "Ariadne saves Theseus and all those other people, and he
abandons her, Dean. He gets in his ship with the black sails and leaves her
there to fend for herself. Then Dionysos comes along and falls in love with her.
He wins her heart and marries her. He gives her a golden crown encircled with
gems for a wedding present. They live together happily for many years. When she
dies, Dionysos throws her crown up into the night sky. The jewels grow brighter
and brighter and then turn into the seven stars that form Corona Borealis."

Dean wasn't sure when it happened, but he realized that the Ginny he loved was
gone.

Ginny took a deep breath and continued. "So the Corona Borealis has nothing to
do with Theseus and everything to do with Princess Ariadne, Dean."

Dean turned back to watch for the bat to sail past Corona Borealis again. When
did everything change between us, he thought. I know it's different, but I don't
know why. He glanced over at Ginny. Her saw her face in profile, and the sight
of it made his chest ache.

A cloud from the east crept closer; Dean hoped it would block the constellation.
He didn't care if he ever saw Corona Borealis again.

Ginny reflected on Princess Ariadne. What did their English teacher say happened
next? Ginny remembered. There was something more, yes. Ariadne became the
goddess of the shining moon, the spiral dance, and swirling stars.

Standing up, Ginny spun in circles with her head thrown back. She kept her eyes
on the moon, and the stars swirled in a magical spiral dance. After several
spins she fell back onto the grass, satisfied. She had seen the swirling stars.

She had done the spiral dance. 

She was the moon goddess.

Corona Borealis twinkled in the distant heavens.

Dean stood and picked up his racquet. "It's late. See ya tomorrow." He slunk up
the hill towards home, holding his racquet over his head.

In the darkness, it reminded Ginny of a black sail.
----------------------------
Here is a link to reviewer's reactions to "Moon Goddess."~~GH

At the Crossroads

Recently, I found myself at a crossroads. I admit that I reluctantly chose the road where there doesn't have to be an answer for every question. 

I am settling into the acceptance that it is okay not to understand, that it is well and proper and appropriate, and okay. This after a lifetime of demanding to KNOW. 

Reminds me of the phrase "peace [of God] that surpasses all understanding." I embrace that peace. ~~GH

Monday, February 18, 2013

Love Unconditionally


Even 
After
All this time
The Sun never says to the Earth,
"You owe me."

Look what happens
With a love like that,
It lights the whole sky.
        ~~Hafiz

We never chide the Sun and whisper behind its back that it has no self-respect. We never urge the Sun to require a response from Earth. 

And yet, all Life emanates from that love. 

Just shows how little "we" understand about Love.~~GH

Sunday, February 17, 2013

Sizzle, Burn, Sting

Lovely example of why it's a poor idea to get on the wrong side of a writer. (Don't expect me to explain it to you. Half the fun is discovering the meaning. But if you really want to know and can't find out, ask me on Facebook or IM and I'll fill you in). ~~GH



Letting Go


I was the child who took apart all of her toys to see what was inside them or to discover how they worked. This, of course, rendered some of them unworkable. 

I'm beginning to realize there are no explanations for the things I most want to understand. Coming to accept this is another thing. I tend to want to label this as immature, which translates into negative, or "bad." Trying hard to let go of those value judgments and labels. It is what it is. I'm where I am, and that is enough.

I'm doing my best to let go of that rope, that sense of control. It is a challenge. And kinda funny to imagine struggling to let go. Sigh. 

Only a human being can get themselves into such a complicated situation that they hold on and fight to let go. 

Thank you for reading. ~~GH

Saturday, February 16, 2013

Bonus Post: Book of Life


I sent this somewhat inarticulate text to my youngest child (give me a break; it was nearly 2 a.m.). Her answer pleased me no end.~~GH
I wouldn't touch it.  
That's the whole point of life. You wouldn't learn your lesson if you didn't experience the pain.

What is Education?


This is what many folks fail to appreciate about university learning. It isn't that the Pythagorean theorem is vital to understand, or that perfect grammar is of the utmost importance; people who believe that are misguided imbeciles who entirely miss the point of education. 

What is important is learning to process information and "think" in new and creative ways. The little tidbits you learn along the way are just exercises. Think of  the Pythagorean theorem and grammar rules as push-ups and jumping jacks. You do them in order to tone and strengthen. Their importance is solely a means to an end, not the "goal." ~~GH

Friday, February 15, 2013

Bonus Post: Smiling Faces

Yesterday, I was Facebook-befriended by a high school classmate. She wrote one sentence on my timeline, and it meant so much to me. What did she write?
If I didn't recognize anything else, I'd recognize your smile.
After nearly forty years, it is wonderful to know that I have retained the smile I had in my youth. ~~GH

Guest Poet: Rumi



You have to keep breaking your heart until it opens. 


~~ Rumi

Thursday, February 14, 2013

What is Creative Nonfiction?

So for Valentine's Day, that most romantic of days, the day when we acknowledge the one we love most -- I have chosen Creative Nonfiction as the recipient of my affection. You might question my decision (if one would be so bold as to question another's choice in lover) and ask me "Why not writing in general? Why CNF?" 

I crave freedom in a way that few others even imagine. I can't begin to explain this need for freedom; trust me that it exists and drives and informs my entire existence. Creative nonfiction provides the canvas for my creativity to breathe and expand its lungs, to thrive, to celebrate Life.

Eric LeMay asks "What is Creative Nonfiction?" on his February 1st blog. Please do read his post; there are marvelous and varied explanations from many experts in the "field" of creative nonfiction about what it is, what defines CNF.

LeMay explores the question fairly thoroughly for such a brief essay. I like this take on it best of all:
As a term, creative nonfiction amounts to a paradox, a challenge, a generative constraint, one that not only makes us rethink what is or isn't fiction, what is or isn't creative, but also one that makes us ask what our medium can do . . . nothing less than to remake reality into an aesthetic experience.
So Happy Valentine's Day from me to you. Now if you'll excuse me, I want to go back to remaking reality into an aesthetic experience. ~~GH


Wednesday, February 13, 2013

Guest Poet: Bruce Guernsey


I stumbled across Bruce Guernsey's poem "Moss" when a Facebook friend posted a link to "American Life in Poetry" page, Column 78 by United States Poet Laureate Ted Kooser

I shall never think of moss the same again. It is now and will forevermore be a sentient being. ~~GH

Moss

How must it be
to be moss,
that slipcover of rocks? —
imagine,

greening in the dark,
longing for north,
the silence
of birds gone south.

How does moss do it,
all day
in a dank place
and never a cough? —

a wet dust
where light fails,
where the chisel
cut the name.


Tuesday, February 12, 2013

All Will Be Revealed


Obedience is a strange thing in my world. I vacillate between being fiercely independent, and conforming. Usually I subrogate my ego and pride when I tend to conform. I consider conforming a sacrifice of sorts, an acknowledgment that I do respect the Bigger Picture, the Universal Is – that there is Something Bigger Than I Am, and ultimately more important in the scheme of things.

I recognize that my pride is a weakness, my ego a flaw. And yet, they are such large parts of who I am that I can’t just excise them without leaving gaping mauls. On one hand, I’d never have made it to where I am now without the support of myriad others. On the other, I’ve struggled and worked damned hard to get here. Anyway, these are things to work out another day.

Today, my horoscope – the one I trust explicitly, the one that has been spot-on 99% of the time since I’ve started following it – urged me to tell the one I am in love with that I love him. It even acknowledges I “need to be bold and brave,” “sacrifice a little bit of your image and [a] whole lot of your pride.”

So I offer a compromise, Universe. I’ll do it, but I won’t do it directly. Call me a chickensh*t, I’ll own that label. But I’m doing the best I can under the circumstances. I haven’t had a lot of support lately, and it’s scary as hell. It’s been like riding a bike with my eyes closed, quite frankly.

Hello out there. If you grew up in a place named for Tyler’s Secretary of War, and live in a place best known for silver and blue bags, and know what dlskjslksa means, I am in love with you. I acknowledge this isn’t the most romantic confession ever, and I apologize for that. But it is heartfelt, and sincere. This is not a rebound thing. I have taken it out and examined it, dissected every inch of it. I’m far more analytical than I am romantic. I am satisfied this is real.

It would mean a great deal to me if you acknowledged reading this, in some way. And I apologize for the second-grader scenario. That’s embarrassing in and of itself, but it’s the best I can muster under the circumstances. ~~GH

Guest Poet: Stephen Crane

This is not your feel-good poem. Just so you know . . . ~~GH




In the Desert

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said: "Is it good, friend?"
"It is bitter -- bitter," he answered;
"But I like it
Because it is bitter,
And because it is my heart."
        ~~Stephen Crane
I would not presume to tell you what meaning to make of a poem.  I wandered around the 'net a bit, read some interpretations of  "In the Desert" and even listened/watched two YouTube video readings of it. As usual, the meaning(s) I derive don't match what I saw. 
I won't try to explain what I think it means, but let me say that I don't see this as a scary or intimidating or shocking or negative poem. If I were to read it aloud, I would not use a threatening tone. 
Don't we all "eat our hearts out" sometimes? 

Monday, February 11, 2013

Guest Poet: Robert Frost


Stopping by Woods on a Snowy Evening

~~Robert Frost

Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of the easy wind and downy flake. The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

Sunday, February 10, 2013

One Kiss



“She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner.” ~~ J.M. BarriePeter Pan

“You won't forget me, Peter, will you, before spring-cleaning time comes?"

Of course Peter promised, and then he flew away. He took Mrs. Darling's kiss with him. The kiss that had been for no one else Peter took quite easily. Funny. But she seemed satisfied.
                   ~~ J.M. BarriePeter Pan


Saturday, February 09, 2013

Advice for Writers


rite with a mission in mind: Write what only you can write. Write with passion. Don't write to sell the piece. Don't write to make a living. Don't write to become famous. Write because no one else will – or can – write what you wrote.

Write because your characters long to live. Write because, if you don't write, they will haunt you the rest of your days. Write because otherwise the world will not ever read what you're about to record.

Write because of all the billions of people who have ever lived and ever will live, you were chosen to tell the tale. Tell the tale. ~~ Ginger Hamilton (Caudill)

Friday, February 08, 2013

Happy Birthday to My Firstborn




"It doesn't happen all at once " said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in your joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
~~ Margery Williams, The Velveteen Rabbit

Wednesday, February 06, 2013

Perpetual Food

Here's a departure from my "usual" topics: Foods you can grow from scraps

Yes, right at home and often in your own kitchen, you can grow onions, pineapple, tomatoes, ginger, potatoes, celery, avocados, apples, carrots, and more! And these represent the icing on the free food cake.

Note that you probably can't really grow edible apples because of the nature of apples these days, and we're talking years before avocado trees or pineapple plants bear fruit, but it is interesting and might be worth it down the road. So give it a shot! ~~GH

Tuesday, February 05, 2013

Poem: Tether Ball



Tether Ball 

~~Ginger Hamilton (Caudill)

I am a tether ball pole.
You, my child, are attached to me
You swing freely but will always be

Tethered to me, your center
Your originating point
Your base

I remain steady
You have swung far and wide
Wild and free, or tentatively

I was always there
Am always here
Will always be 

If you need to touch base
Just swing by
I'm always home

Sometimes you cry and claim
I left you, I was never there
I was always here; it was you who left

You can leave behind your father
But your mother?
You carry your mother with you

Even when you cut the cord
The impression remains
The connection exists

If you require proof
I'm no further away
Than your navel